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My Carnival photo awarded Gadling.com “Photo of the day (9.2.10)”


I was happy to see one of my photos from the recent Notting Hill Carnival featured on Gadling.com’s “Picture of the Day“.

Photo of the day (9.2.10)

by Meg Nesterov (RSS feed) on Sep 2nd 2010 at 5:00PM

 

Each year around American Labor Day, the elaborate costumes and street partying associated with pre-Lenten Mardi Gras or Carnival celebrations are taken outside in several cities too cold to parade in February. Brooklyn’s West Indian Day Parade is one of the largest in the world, drawing several million spectators, with a population of local West Indian residents to rival that of the Caribbean. This photo by Flickr user Luke Robinson taken at West London’s Notting Hill Carnival in England (the largest street festival in Europe) captures a father and son who look like they’ve enjoyed the revelry but might be ready to call it a day. With 20 miles of parading, music, and food to cover, it’s no wonder the little boy looks a bit tuckered out. I just hope that’s not a vuvuzela he’s carrying. Other Caribbean Carnival events take place throughout the US, Canada, and UK this fall.

Take any great festival photos? Upload them to our Flickr pool and we just might choose one for another Photo of the Day.

 

Filed under: Festivals and Events, Photos, Europe, United Kingdom, Photo of the Day, Caribbean

 

Great article from David Bergman about mastering event photography


This is very good advice for any current or aspiring photographers, on how to adopt general attitude of trying to separate yourself from the herd when photographing events. I’ve been confronted with the very same issues before and have had to go out on a limb to get different shots from the pack…


At most of the events I cover, there are a lot of other photographers. The wire services and local newspaper shooters always do a great job covering the event. So what can I bring to the table? If I just shoot the same images as everyone else, there’s no reason for me to be there.

The easiest way to separate myself is to literally move away from the other photographers. I try to take chances and go for the high risk shot. It doesn’t always pay off, but when it does, it’s worth it.